Hennaed Dancing Girls, 18th - 19th century Egypt (one for bellydance enthusiasts on the forum) (Long, but worthwhile)


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Posted by Catherine Cartwright Jones on September 22, 1999 at 13:32:06:

This is excerpted from:
"An Account of the Manners and Customs of the Modern Egyptians,
written in Egypt During the Years 1833, -34, and -35, Partly from
Notes Made During a Former Visit to that Country in the Years 1825,
-26, -27, and -28" By Edward William Lane, published by John Murray,
Albermarle Streety, London, 1871 (Same book as provided the
descriptions of hennaed drag queens a few posts down)

"Egypt has long been celebrated for its public dancing girls; the most
famous of whom are of a distinct tribe, called "Ghawazee;" but the
plural Ghawazee is generally understood as applying to the females.
The misapplication of the appllation "Al'mehs" to the common dancing
girls of this country has already been noticed. The Ghawazee perform,
unveiled, in the public streets, even to amuse the rabble. Their
dancing has little of elegance; its cheif peculiarity being a very
rapid vibrating motion of the hips, from side to side. The commence
with a degree of decorum; but soon, by more animated looks, by a more
rapid collision of thei castanets of brass, and by increased energy in
every motion, they exhibit a spectacle exactly agreeing with the
descriptions which Martial and Juvenal have given of the performances
of the female dancers of Gades. [ Lib. v. Epigr.79, Sat. xi. v. 162]
The dress in which they generally this exhibit in public is similar to
that which is worn by women of the middle classes in Egypt in private;
that is, in the hareem; consisting of a yelek, or an 'anteree and the
shintiyan, &c., of handsome materials. They also wear various
ornaments: their eyes are bordered witht eh kolh (or black collyrium);
and the tips of their fingers, the palms of their hands, and their
toes andother parts of their feet, are usually stained withthe red dye
of the henna, according to the general customof the middle and higher
classes of Egyptian women. In general, they are accompanied by
musicians (mostly of the same tribe), whose instruments are the
hemengeh or the rabab with the tar; or the darabukkeh with the
zummarah or the zemr: the tar is usually in the hands of an old woman.

"The Gahawazee often perform in the court of a house or in the street,
before the door, and on certain occasions of festivity in the hareem;
as , for instance , on the occasion of a marriage, or the birth of a
chile. They are never admitted into a respectable hareem, but are not
infrequently hired to entertain a part of men in the house of some
rake. In this case, as might be expected, their performances are yet
more lascivious thatn those which I have already mentioned. Some of
them, when they exhibit before a private party of men, wear nothing
but the shintiyan (or trowsers) and a tob (or very full, long,
wide-sleeved shirt or gown) of semitransparent, coloured gauze, open
nearly halfway down the fromt. To extinguish the least spark of
modesty which they may yet sometimes affect to retain, they are
plentifully supplied with brandy or some other intoxicating liquor.
The scenes which ensue cannot be described.

"I need scarcely add that these women are the most abandoned
courtesans of Egypt. Many of them are extremely handsome; and most of
them are richly dressed.

"Upon the whole, I think they are the finest women in Egypt. Many of
them have slightly aquiline noses, but in most respects they resemble
the rest of the females of this country. Women, as well as men, take
delight in witnessing their performances; but many persons among the
higher classes, and the more religious, disapprove of them.

"The Ghawazee being distinguished, in general, by a cast of
countenance differing, thougj slightly, from the rest of the
Egyptians, we can hardly doubt that they are, as themselves assert, a
distinct race. Their origin, how



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